Editors Note: This is part 1 in a three part series on AI in the music business. Having spent fifty years in this business, I’ve been witness to most of the seismic changes...
Hristijan Risteski releases “Summer,” the second single from his debut album Waters Dance, tomorrow — a change of pace from “Coming Home” that gives a...
Many readers will already have seen the headlines. Generative AI is flooding the streaming platforms, on Deezer alone, AI-generated tracks now account for as much as half of all...
Lucy Woodward’s new album “I Need to Roam” is a record that refuses to sit still, and it’s better for it. Where her 2024 release with The Rocketeers leaned...
Munich vocalist and composer Kilian Sladek releases “All Yours”, the second featured-guest single from his forthcoming album Colorblind, today. The track features trumpeter,...
I’ve been keeping half an eye on the Jazz Cats series since its first volume, mostly because Lefto Early Bird has never been a curator who waits for consensus to catch up...
Karel Eriksson has spent the better part of a decade building Sound Pollution Eclectic into one of Vienna’s more stylistically restless bands. With The Path North, released...
Tobias Hoffmann’s debut as a bandleader is back where anyone can hear it. Six years after it first appeared on the Austrian label Alessa Records, Retrospective has found a...
Alexandrina Simeon presents her latest album, QUIET GIRL, at the Harz Classix Festival this November, and she’s already writing the next chapter behind it — new material...
The 56th edition of the Siena Jazz International Summer Workshop kicked off last week, and for the two weeks that follow, this small Tuscan city becomes, once again, one of the...
Four records this week span cosmic jazz, jazz-funk homage, and two albums I flagged last time round that are still very much worth your attention. Here’s what’s...
