JPN says au revoir to Going Dutch and looks forward to further liaisons

Written by | Concerts, News

The Jazz Promotion Network (JPN) has collated the results of its Going Dutch project which, with the support of Dutch Performing Arts (DPA), facilitated concerts and tours by Dutch jazz musicians across the UK and Ireland in order to increase awareness of the Dutch scene on this side of the North Sea and to foster international collaborations.

A short video summarising the scope and reach of the project was shown at the JPN’s AGM, held online on Tuesday 22 September, along with a detailed written report on all aspects of the project.


Beginning in 2016, when the first of 42 promoters visited Dutch festivals and events including North Sea Jazz, Zomer JazzFiets in Groningen and the annual InJazz meeting in Rotterdam, all courtesy of DPA,  JPN programmers and bookers had unprecedented opportunities to investigate the diversity of music that the Dutch scene supports.

Over the next three years, musicians of widely differing styles toured to 43 cities and towns of varying sizes. Participants ranged from the intrepid founders of the Dutch improvised music movement, the Instant Composers Pool Orchestra to the jazz-funk styled Tristan, and from leading European grand piano adventurer Kaja Draksler to the idiosyncratic embracers of mobile phone technology and current affairs, Tin Men and the Telephone..

The 105 gigs that resulted took contemporary Dutch music to Derry/Londonderry and Cork, as well as Belfast and Dublin, to Eyemouth in the Scottish Borders as well as Aberdeen and Glasgow, and from Newcastle and Gateshead to Sheffield, Wigan, Harwich, Colchester and Dartington and points in between.

“We wanted to show that London isn’t England and that England isn’t the UK, as often seems to be the impression given by tours,” says Nod Knowles, who coordinated the project on behalf of the JPN. “We were also keen to foster relationships between musicians from the Netherlands and the UK & Eire. So we were pleased to see collaborations between trumpeter Eric Vloeimans and pianist Joanna MacGregor and between saxophonist Faye MacCalman, violist Ig Henneman and guitarist Reinier Bass.”

Two other collaborations that have the potential for further development are the Manchester Jazz Festival commission Both Sides of Africa by Nani Noam Vazana, which saw the singer and multi-instrumentalist working with Manchester-based cellist Abel Selacoe, and LoLanders, a Scottish-Dutch sextet that has already performed in the Netherlands after making its debut at Celtic Connections in Glasgow and going on to tour last summer.

“Although the central idea was to familiarise audiences in the UK and Eire with what’s happening in the Netherlands, we wanted to try and help musicians from over here export their talents,” says Knowles. “The two scenes are quite different, with different expectations in terms of fees, for example, and we feel we’ve been able to give Dutch musicians good information about working in the UK and Eire while at the same time giving musicians from our side an introduction to the Dutch scene that can hopefully lead to something more lasting.”

Before the enforced lockdown due to COVID-19, there were signs of Going Dutch’s continuing benefits as Under the Surface, featuring vocalist Sanne Rambags, guitarist Bram Stadhouders and drummer Joost Lijbaart, planned a follow-up UK tour and guitarist Graeme Stephen, violist Oene van Geel and bassist Mark Haanstra, in a spin-off from LoLanders, had dates booked in the autumn.

“Everything’s had to be put on hold as far as live gigs are concerned, as everyone knows,” says Knowles. “But we’re hopeful that, in time, bands will get back on the road and the exciting music that Going Dutch gave a platform will pick up where it left off.”

Although the major Going Dutch project has come to an end, both DPA and JPN intend to maintain their links and hope to help facilitate future visits and collaborations as and when they become possible.

Further information and statistics on Going Dutch are available by emailing or by visiting the JPN website.

Writer: Rob Adams

Photo Credits:Nicole Baster

Last modified: October 2, 2020